Did Jim Call Upon Laura Again After Dancing With Her and Kissing Her
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SCENE SUMMARY WITH NOTES
SCENE SEVEN
Summary
Equally the scene opens, Laura is fearfully huddled on the sofa every bit the others terminate dinner. While the pall rises, there is a power outage. Amanda tells a joke and asks Jim to bank check the fuse. When Jim finds nothing amiss, Amanda rightly guesses that Tom has neglected to pay the light neb. She decides to use the darkness to benefit a meeting betwixt Laura and Jim. She gives Jim a candle and asks him to take Laura some wine and keep her company while she and Tom clean the dishes.
Laura sits upwards nervously when Jim enters. Past dissimilarity, he is completely at ease, seating himself on the flooring. When he asks her how she is feeling, she can barely speak considering of her nervousness; however, equally the scene progresses, she warms up and fifty-fifty joins Jim on the floor. When Laura asks him if he has kept up his singing, he recollects that they had known each other in high schoolhouse and that he used to call her 'Blue Roses' even though he does not remember why. They talk virtually the singing course they had taken together, and Laura painfully recollects her embarrassment over thunderously clumping her pes because of her brace. Jim tells her that she had been too self-conscious.
Laura produces the school yearbook, and they browse through it together. Jim relives his past successes with savor, and Laura basks happily in his presence. When she tells him that she could never bring herself to ask him to autograph the operetta program, he promptly signs information technology with a flourish. Jim then asks her about her life after school. Laura mentions her business course fiasco and so defends her failure by saying that her glass drove takes upwardly a lot of her time and energy. Jim and then succinctly analyzes her inferiority complex and speaks of his ain past and future plans, albeit that he is not pleased with his lack of progress in life.
Laura then shows Jim her glass menagerie. He is fascinated with the alone unicorn in the gear up. When music drifts from the dance hall across the alley, Jim urges Laura to dance with him. She recoils in terror, but he calmly reassures her. As they accept a few turns, they bump against the table and the glass unicorn falls and loses its horn. Jim apologizes. Laura remarks, "It's no tragedy. . . The horn was removed to make him feel less -- freakish!"
Jim remarks on Laura's nature, saying she is "surprisingly unlike from anyone else I know!" He admits that her presence makes him tongue-tied. Later on admiring her prettiness, Jim kisses Laura, who sinks on to the sofa in a dazed state. Jim backs off and regains control. He and then tells Laura that he is engaged to be married and apologizes if he has hurt her feelings. It is evident that it is difficult for Laura to assimilate Jim's news. Laura braves the emotional storm raging in her heart and musters the courage to give Jim the now hornless glass unicorn as a memento. She then goes back to her phonograph to wind it.
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Amanda rushes brightly into the living room with fruit dial and snacks. As she enthusiastically babble about Jim being a frequent visitor in their home in the future, Jim stops her short. He explains to her that he is engaged to be married. Amanda frankly retorts that Tom had not said anything most Jim's date. Jim admits that information technology is still a secret. Amanda wishes Jim luck and happiness as he departs. He must leave speedily in order to pick upwards his fiancée at the train station, for she is returning from a trip. Amanda and so turns on Tom and accuses him of having played a vicious joke on Laura and her. To avoid fighting with his female parent, Tom tries to depart for the movies. When she calls him a 'selfish dreamer', he smashes his glass of fruit punch and storms out of the house.
Tom, dorsum in his narrator's function, delivers an epilogue to the activity of the play. He tells how he soon left Saint Louis subsequently being fired from the warehouse for writing a verse form on the lid of a shoebox. Every bit planned, he became a sailor and traveled around quite a fleck. Whenever he walked past shop windows in afar towns and he saw tiny glass bottles or figures, he would be reminded of Laura. He still feels guilty about deserting her and Amanda.
Notes
This, the longest scene in the play, presents the climax of the plot, for Amanda is forced to face up her illusions. Amanda'south cleverness is seen in the style in which she manipulates the situation when the lights go out. She comes upwards with a plan to place Laura and Jim together alone, continuing to exist the manipulative mother. At get-go it seems that things may turn out well. Laura actually sheds her nervousness and shows a touch on of self-confidence. She seems to relax with Jim as they reminisce about high schoolhouse, even showing some sense of humour. Her emotions for him steadily rise until Jim kisses her. She so sinks to the sofa in a dazed state. Jim, realizing how he has led the poor daughter on, calls himself "stumble-John" and tells her that he is engaged to be married. Laura is crushed, but musters the courage to offer him the broken drinking glass unicorn as a memento.
The fact that Tom has non paid the electricity neb, causing the lights to be cut off, is very symbolic. It foreshadows his time to come desertion of the family and the darkness into which Amanda and Laura will fall as a result of his quest for adventure. During this scene, however, Tom is a sympathetic graphic symbol, for he has tried his all-time to do what Amanda has wanted by bringing home a gentleman caller. Now Amanda turns on him and unjustly accuses Tom of deliberately inviting an engaged human and trying to ridicule Laura and her. When she deplores the waste of fourth dimension, money, and free energy the dinner entailed, the audience remembers that in Scene Five, Tom had expressly advised Amanda against elaborate preparations for Jim. Amanda, however, refused to mind to her son, equally always. Not wanting to admit the foolishness of her ways, Amanda makes Tom the scapegoat for the failure of the evening.
It is pregnant that the high school yearbook is named "The Torch." Jim is the male child on whom Laura had a trounce during loftier schoolhouse, and she still carries "a torch," a flame of love, for him, as evidenced past the fact that she has only recently talked about him to her female parent. As the two of them talk about high school memories, Laura actually retrieves "The Torch" so they tin can wait at the pictures of Jim together. Laura all the same sees him as the hero of his loftier school days, oblivious to his present mediocrity.
The drinking glass unicorn with its odd horn in the middle of its head is, yet, the predominant symbol in this scene. Information technology is a rare and lovely beast that is as silent, fragile, foreign, and "deformed" as Laura herself. Its horn, which makes it different that the other horses in the menagerie, is broken off when Laura and Jim dance to the music from the social club across the alley. When the unicorn is made to expect like the other horses in the set, information technology is symbolic of the fact that Laura has too lost her "horn" that makes her different; she forgets that she is a cripple and acts relaxed and happy around Jim, like a normal person. When Jim tells her about his engagement and starts to go out, she is crushed. She does, however, muster the courage to present the broken unicorn to him as a parting souvenir. It is an appropriate gesture, for she is a broken person that will once again turn into a strange creature, not like other normal people.
The climax occurs when Amanda learns of Jim's engagement. Dissimilar Laura, who was gracious about the news, Amanda is horrified, rude, and outspoken. Like the unicorn, her dreams are broken. In her disappointment, she turns on Tom, falsely accusing him of making a fool of Laura and her. She then rants and raves most the trouble and expense of the evening, really making a fool of herself. The truth is that Amanda has finally been forced to realize the folly of her illusions. She cannot make her dreams come up truthful or manipulate her children into the life she wants for them. This becomes especially articulate when Tom, as the narrator, tells of his being fired from the shoe warehouse and becoming a sailor. Unfortunately, he cannot find whatever real happiness, for he is plagued by guilt for abandoning the family unit. The audience is left to imagine Amanda's misery at existence deserted by both a husband and a son. The play definitely ends in tragedy for everyone, especially Amanda.
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