Perspective Ballpoint pen on paper by Daniel Heller

Art 101: Definitions

Fine art 101: Definitions, is a glossary of basic art terms intended to serve equally an easy reference point for starting time collectors of fine art. Information technology is an educational tool offer simply the most basic information related to art terms, arranged in alphabetical guild. For an in-depth research study, the reader tin access the links to the official websites of the major art sources listed below.

A

Abstract – Rendering or painting images and objects in a stylized or simplified way, so that though they remain recognizable, their formal or expressive aspects are emphasized.
Bookish – Of or relating to the conservative mode of art promoted past an official university
Aesthetic – Describing a business organization or association with beauty or good gustation a detail taste or approach to the visual qualities of an object.
Allegory – Allegory in fine art is when the subject area of the artwork, or the diverse elements that form the composition, is used to symbolize a deeper moral or spiritual meaning such as life, death, love, virtue, justice etc.
Emblematic Painting – the expression by means of symbolic fictional figures and actions of truths or generalizations near man existence.
Americana – Artworks depicting patriotic subjects similar famous Americans, historical landscapes, and slices of American life.
Appropriation – Cribbing in visual arts, an intentional borrowing, copying, and amending of preexisting images and objects, used in the creation of new art
Architecture – The scientific discipline, art, or profession of designing and constructing buildings, bridges, and other large structures.
Creative person – A person engaged in an activity related to creating art.
Avant-garde – A French term that denotes an innovative and experimental group, peculiarly in the realms of culture, politics, and the arts.

B

Background – The area of an artwork that appears farthest abroad from the viewer.
BalanceThe even distribution of weight, either actual weight or visual weight, in a limerick.
Binder – A component of paint (usually liquid) that creates uniform consistency or cohesion.
Brushwork – The manner in which a painter applies paint with a brush.

C

Canvas – Cotton or linen woven cloth used as a surface for painting.
CartoonA unproblematic drawing showing the features of its subjects in a humorously exaggerated satirical way.
Classicism – The principles embodied in the styles, theories, or philosophies of the art of aboriginal Greece and Rome.
Collage – A technique and resulting artwork in which fragments of materials are bundled and glued to a supporting surface.
Color – The perceived hue of an object, produced by the manner in which it reflects or emits calorie-free into the eye.
Color bicycleA circular arrangements of hues based on ane of a number of various color theories.
Commercial Art – Art made for commerce purposes (advertising, etc.)
Limerick – Arrangement of individual elements in an artwork.
Contour – The outline of something.
Civilisation – The arts and other manifestations of human intellectual achievement regarded collectively

D

Digital fine art – art creation process in which the artist draws with a stylus on a tablet inbound data that is being recorded by an imaging software program, to create a digital file.
Designer – A person who conceives and gives grade to objects used in everyday life.
Diptych – A work of art made up of 2 parts, commonly hinged together.
Cartoon – the art of marking a surface with various instruments (pencil, crayons, charcoal, pastel etc.) in a fashion that leaves an impression on the surface. The type of impressions depending on the creative person's style and could be lines or dots applied in different ways to create shapes forms or patterns. The surface is usually paper.

E

EditionIn printmaking, the number of impressions authorized by the artist made from a unmarried master image.
Etching – A blazon of print made by scratching marks onto the surface of a metallic plate.
Ephemera – Transitory written and printed matter not originally intended to be kept or preserved.
Exposure – The activity of exposing a photographic film to light

F

Figurative – Representing a course or figure in the art that retains articulate ties to the real world.
Foreground – The area of an image that appears closest to the viewer.
Course – The shape or construction of an object.

G

Genre – A category of artistic practice having a detail form, content, or technique.
Geometric – Resembling or using the unproblematic rectilinear or curvilinear lines used in geometry.
Gouache – An opaque watercolor type of paint.
Giclée – Is a neologism coined in 1991 by printmaker Jack Duganne, for art digital prints made on inkjet printers.
Graphic – A visual representation or design on a surface.

H

Hardboard – a Hard surface of compressed and treated wood pulp used as support for painting.
Horizon line – A line in works of art that ordinarily shows where state or water converges with the sky.
Hue – The actual name of a colour, such as blueish, red, etc.

I

Image – In art a representation of something onto a surface of.
ImpressionismA style of fine art.

J

Juxtaposition – An deed of placing things shut together or side by side for comparison or contrast.

M

Kinetic art – Fine art that physically moves.

L

Lacquer – Any of various articulate or colored synthetic organic coatings that typically dry to class a flick.
Landscape – The natural landforms of a region; also, an image that has natural scenery every bit its chief focus.
Lithography – A printmaking technique based on the repulsion of oil and water, in which an oily substance is applied to a stone or other medium to transfer ink to a newspaper surface.

Chiliad

Manifesto – A public declaration, oftentimes political in nature, of a group or individual'southward principles, behavior, and intended courses of action.
Medium – Any material used to create a work of art.
Mixed media – A technique involving the apply of two or more artistic media, such as ink and pastel or painting and collage.
Monochrome – A work of art rendered in but one color.

N

Narrative – A spoken, written, or visual business relationship of an event or a serial of continued events.
Narrative art – Fine art that tells a story.
Naturalism – Naturalism was a broad motion in the nineteenth century which represented things closer to the mode we see them
Negative spaceThe background or empty infinite which surrounds a shape then information technology has a sense of form and book.

O

Oil Paint – A pigment in which paint is suspended in oil, which dries on exposure to air.
Old Master – A distinguished European creative person of the menses from virtually 1500 to the early on 1700s'.
Opaque – Impenetrable to the passage of calorie-free.
Orientation – May exist Horizontal, vertical or diagonal.

P

Paint – A combination of pigment, binder, and solvent (noun); the human activity of producing a picture using paint (verb, gerund).
Painting – The art of applying paint, watercolor or acrylic colors to a solid surface to create an artwork
Palette – The range of colors used by an artist in making a work of art.
Pastel – A cartoon medium of dried paste manufactured in crayon form made of footing pigments and a water-based binder
Passepartout – A sheet material such as cardboard with a cutout. It is used in the fine art framing manufacture to frame art drawings or photographs.
Photography – The practice craft or art, of producing images by the action of radiant energy on a sensitive surface (pic, an optical sensor).
Pigment – A substance, ordinarily finely powdered, that produces the color of any medium. When mixed with oil, water, or another fluid, information technology becomes paint.
Portrait – A representation of a particular individual.
Print – A term describing a wide diversity of techniques used to produce multiple copies of an original design.

R

Renaissance –A term meaning rebirth or revival; applied to a period characterized by the humanistic revival of classical fine art, architecture, literature, and learning, originating in Italia in the fourteenth century and later spreading throughout Europe and lasting through the sixteenth century.
Representation – The visual portrayal of someone or something.
Rendering – A representation, executed in perspective, of a proposed structure.
Representational – Portrays natural objects in recognizable form (an example of realism).

Southward

Scale– The ratio between the size of an object and its model or representation, equally in the scale of a map to the actual geography it represents.
Shade – In painting, a color plus black.
Sketch – A rough or unfinished version of any creative work.
Style – A distinctive or characteristic way of expression.
Subject area – The person, object, result, or thought on which an artwork is based
Symbol – A form, sign, or emblem that represents something else.

T

Technique – The method with which an artist employs technical skills or materials to achieve a finished artwork.
Tempera – A blazon of paint in which paint is mixed with a h2o-soluble folder, such as egg yolk.
Triptych – A piece of work of art consisting of three parts, usually hinged together.

W

Watercolor – A paint composed of paint mixed with water.

Sources

MOMA Glossary of Terms – Official Website
I of the best resource is offered by the UK Tate Gallery (Fine art Terms) – Official Website
Fine art terms Glossary: The Essential Vermeer, dedicated to the Dutch painter Johannes Vermeer – Official Website

Suggested reading

Dictionary of art terms and techniques – Amazon Book
Is Photography Art? artgreeT Web log
Abstruse artgreeT Blog
Allegory artgreeT Web log
Art Styles artgreeT Blog
Art and printsartgreeT Blog
Passepartout artgreeT Blog